wagnerian soprano造句

• Nicholls now studies with the Wagnerian soprano Dame Anne Evans.
• She even spent three years at the Metropolitan Opera singing mainly Wagnerian soprano roles.
• Wagnerian sopranos also are in short supply.
• Early on, Dame Joan tried to sing like the great Wagnerian soprano Kirsten Flagstad.
• Now today's leading Wagnerian soprano, Jane Eaglen, has made her bid.
• Almost overnight, she had established herself as the pre-eminent Wagnerian soprano of the era.
• Stemme " is regarded by today's opera fans as our era's greatest Wagnerian soprano ".
• In Melbourne, her first singing teacher was the English Wagnerian soprano Thea Phillips, then briefly Henri Portnoj.
• It was an odd setting for a singer who is widely talked of these days as The Next Great Wagnerian Soprano.
• In the 1970s, tax problems kept the Wagnerian soprano Birgit Nilsson from performing in the United States for several years.
• Its heady scent leaped from the glass to meet my nose, and it was every bit as full-bodied as any Wagnerian soprano.
• Still dimpled and blond, for some time she has been as stout as a Wagnerian soprano, which she gently jokes about in concert.
• Since the Met already had two first-class Wagnerian sopranos, Kirsten Flagstad and Marjorie Lawrence, Traubel at first had difficulty finding her niche.
• Some dramatic sopranos, known as Wagnerian sopranos, have a very big voice that can assert itself over an exceptionally large orchestra ( over eighty pieces ).
• In the 1951 / 52 season, Wagnerian soprano Kirsten Flagstad sang Alceste in five performances, including her farewell performance with the company on 1 April 1952.
• "' Anna von Mildenburg "'( November 29, 1872  January 27, 1947 ) was an eminent Wagnerian soprano of Austrian nationality.
• Some of her colleagues considered her greater than the other great Wagnerian sopranos-Kirsten Flagstad and those two of her generation, Birgit Nilsson and Astrid Varnay.
• Last month, Birgit Nilsson turned 80, and it seems clearer than ever that she was the dominant Wagnerian soprano of the post-World War II period.
• He describes her as a Wagnerian soprano in the powerhouse tradition of the Americans Eileen Farrell and Helen Traubel, " but with more secure high notes ."
• She had the technical agility to dispatch roulades and trills without resorting to half-voice, and an unforced power that led coaches to urge her to become a Wagnerian soprano.